How did global connections shape the sounds of the 1950s and 1960s in the decolonising world? Su Lin Lewis and Ben GJ Thomas explore the relationship between music and internationalism in post-colonial Southeast Asia.
How did South African women use culture to build an international anti-apartheid movement? Kebotlhale Motseothata on life in exile with the Amandla Cultural Ensemble
With Eurovision 2024 facing renewed calls for boycott, Catherine Baker reflects on the 'radical' history of the song contest - and the alternatives that might shape its future.
Was the emergence of punk simply a cultural response to the economic uncertainties of 1970s Britain? Matthew Worley suggests a more complex origin story.
What can the radical tradition of costume & performance at Notting Hill Carnival tell us about a decolonised approach to the teaching of history? Ife Thompson on the People's War Carnival Band
Marlene Dietrich's sultry sexuality is the best-remembered part of the 1930 film The Blue Angel, yet embedded in the film and its afterlife is a radical history of antifascist resistance. Marybeth Hamilton explores.
What does an elegant, hand-written programme tell us about the harsh realities of emigration, and the colonisation of Australia in the nineteenth century? How does it exemplify the mindset of settlers, who assumed they needed to import…
What does rap tell us of social change and conflict in the French Republic? Paroma Ghose explores how its themes reveal a socio-political conversation with the state.
A new book on Kate Millett's 1979 trip to Iran raises questions about voices unheard or marginalized in the writing of history. Rosa Campbell and Taushif Kara explore.
What can we learn from comparing past and present sensory experiences of illness? The senses are an essential avenue through which we navigate understandings and responses to disease. Further research into how people sense illness, both…
Thirty years ago, rave swept Britain, bringing a visceral sense of change. From film to dance, Peder Clark explores recent attempts to grapple with its legacies.
The radical historian Alun Howkins was a founder editor of History Workshop, a singer and historian of folk music, and a chronicler of the land and its people. Becky Taylor explores his work and his legacy.
'The Land Song’ dates back to the glory days of Lloyd George Liberalism, and was revived from the 1960s by a new generation of Liberal radicals. History Workshop Journal editor Andrew Whitehead pursues the song’s history – discovers…
Memoryscapes are ‘sound walks’ that invite you to experience the hidden history of a place by listening to the memories of inhabitants, both historical and contemporary, as you walk through it. Toby Butler on Memoryscapes of the River…
